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16:9, 1.85:1 & 2.39:1 – Movie Aspect Ratios Explained

16:9, 1.85:1 & 2.4:1 - Blu-ray and DVD Aspect Ratios Explained - 4:3 and widescreen TV screens


Why do you get those black bars on your TV screen when you watch a movie, and what can you do about it? Learn all about the common aspect ratios for movies.

For many people, movie aspect ratios can be a complicated subject.

What are 16:9 and 1.78:1? What about 1.33:1 or 1.85:1?

And, where does the widescreen aspect ratio of your TV fit into all this?

Well, an aspect ratio describes the shape of your TV screen – and a movie’s image. The way these two things interact has a significant effect on what you see on your TV screen.

So why should we care?

Because understanding aspect ratios can help explain a common issue for many people. You know, those annoying black bars that sometimes appear on the TV screen when you watch a movie.

There is a reason why they are sometimes there – and sometimes not.

The first thing to understand is your TV has a fixed aspect ratio – but a movie can have different ones.

Let’s look into this in more detail.

The Aspect Ratio of Your TV

Elsewhere on the site, I have explained the basics of common TV aspect ratios.

To summarise, that guide explains that the two most common aspect ratios for television screens are 4:3 and 16:9.

These are fixed ratios set by the physical structure of your TV screen.

Today’s most common aspect ratio for televisions is 16:9 – or 16 units wide and 9 units high.

16:9 Widescreen TV Aspect Ratio
16:9 Widescreen TV Aspect Ratio

If you divide 16 by 9, you get 1.7777. This number is rounded up to 1.78 and is often used to express the standard widescreen aspect ratio – 1.78:1.

So, no matter how big your screen is – 40, 55 or 70-inches – the width and height ratio will be the same.

Go and take a look at that article first if you don’t understand this point.

The Aspect Ratio of a Movie

So now we know that there are two primary aspect ratios for a television, it brings us to another interesting issue – how do the aspect ratios of movies affect what we see on our screens?

And, if you like to read your equipment’s manual (unlikely) – or just want to flick through the setup menus changing every setting as you go (more likely) – you will know that you can alter the aspect ratio that you see on the screen.

So I will also mention some changes you can make to get a better picture – or worse!

Common Aspect Ratios for Movies

When a movie or television program is made, it has a fixed aspect ratio.

This will depend on the type of camera used to shoot the show or, maybe, where it is intended to be shown.

So shows recorded for TV will likely have a different native aspect ratio than high-budget movies.

However, once the movie is edited, it can be released in several different aspect ratios, and the image can be altered to suit its release format.

If you look at the back of your Blu-ray or DVD disc box, it will tell you the aspect ratio of the movie or show that is on the disc.

Common movie aspect ratios
Common movie aspect ratios

Although many different aspect ratios have been used over the years, there are four primary formats that you will come across regularly.

These are:

  • 1.33:1
  • 1.78:1
  • 1.85:1
  • 2.39:1

1.33:1 Aspect Ratio

Also known as 4:3 (pronounced ‘four by three’), this is the traditional aspect ratio of standard-definition TVs and images.

This is becoming less common as modern TV screens switch to widescreen formats. However, many older TV programs will only be available in this aspect ratio.

Therefore, we can play this 4:3 TV show on our old 4:3 television, and it will fit perfectly.

As you can see below, on a 4:3 TV, the image is a perfect match and fills the screen entirely.

1.33:1 Image on a 4:3 TV
1.33:1 Image on a 4:3 TV

But, on the 16:9 widescreen TV, there are bars on either side. This is because the image isn’t wide enough for the TV.

1.33:1 Image on a 16:9 TV
1.33:1 Image on a 16:9 TV

This is called pillar boxing or vertical letterboxing.

Most TVs will have a ‘justify’ (or similar) option to stretch the image to the edges, but this can stretch the image and make it appear strange.

Another alternative is to zoom in and remove the bars, but this will mean losing some action at the top and bottom.

The picture may also lack sharpness when you zoom or justify the image.

1.78:1 Aspect Ratio

As explained earlier, 1.78:1 is the aspect ratio for all widescreen TVs.

It is also known as 16:9 or 16 x 9 and is pronounced ‘sixteen by nine.’

This aspect ratio is also commonly just called widescreen. However, some of the other standard aspect ratios can also use this term – so using the ratio is more accurate.

Because this is the standard aspect ratio for high-definition television screens, 16:9 is often the best aspect ratio for displaying video on an HDTV.

If a movie is released with a 16:9 aspect ratio, it will match the screen’s aspect ratio. This means the film will be displayed on the whole screen.

As you can see below, the 1.78:1 image on the 16:9 TV is a perfect fit. Doesn’t that look great!

1.78:1 Image on a 16:9 TV
1.78:1 Image on a 16:9 TV

Notice that with a widescreen image, you get to see more detail on the left and right edges of the picture compared to the 4:3 version shown in the previous section.

But, if you display this video on a 4:3 TV, the widescreen image will have bars at the top and bottom. Therefore the image will appear to be much smaller as it is made to fit the smaller width.

1.78:1 Image on a 4:3 TV
1.78:1 Image on a 4:3 TV

This is called letterboxing. We can zoom in on the TV to get rid of the bars, but this will mean losing some of the action at the edges – and make the picture lose sharpness.

1.85:1 Aspect Ratio

A common widescreen aspect ratio for many movies is 1.85:1.

It is a popular standard in the US for widescreen movies, and this is slightly wider than the standard 16:9 widescreen image.

However, a movie with this aspect ratio will fit quite well on a standard 16:9 high-definition TV screen as it is almost the same shape.

A 1.85:1 movie on a 16:9 screen actually has some letterboxing, but as this shape is a pretty good fit, the bars at the top and bottom will be pretty small.

In fact, with overscan on, you won’t actually see them at all. If you turn overscan off, you will get small bars at the top and bottom – but you also get a bit more of the image left and right.

1.85:1 Image on a 16:9 TV
1.85:1 Image on a 16:9 TV

Below, on the 4:3 television, the result is very similar to the 1.78:1 aspect ratio.

1.85:1 Image on a 4:3 TV
1.85:1 Image on a 4:3 TV

However, the black bars at the top and bottom will be slightly more prominent – and therefore, the actual image will be smaller.

We can zoom in to remove the bars – and some of the action too!

2.39:1 Aspect Ratio

Also known as Panavision or CinemaScope, 2.39:1 is a popular aspect ratio for major movie releases.

Historically, this aspect ratio was actually 2.35:1, but it switched to 2.39:1 in the 1970s. It is also commonly rounded up to 2.40:1.

Therefore you may see any of these three versions recorded on the DVD box – although they are all essentially the same thing.

Notice that we can see even more detail on the left and right of the image compared to the widescreen version.

The 4:3 television will have huge black bars at the top and bottom. The movie will be that tiny colorful bit somewhere in the middle!

2.39:1 Image on a 4:3 TV
2.39:1 Image on a 4:3 TV

Again, as with the previous aspect ratios, zooming in can reduce the bars, but it will also make the image less defined and cause a loss of the picture on either side.

On the 16:9 TV, below, this is probably the one that annoys people most.

2.39:1 Image on a 16:9 TV
2.39:1 Image on a 16:9 TV

We spend all this money on a vast 80-inch widescreen technological phenomenon, and then when we play a movie, part of the screen is covered with black bars at the top and bottom!

I guess we should have tried to find a 1.85:1 version of the movie!

If we want to keep the aspect ratio in the way the director intended, then we have little choice but to watch it with the letterboxing.

Alternatively, we can zoom in on the image to remove the bars, but we will lose some of the action left and right. And after all, having this extra width is the whole point of shooting the movie in 2.39:1.

Another option is to get a screen that is the same 2.39:1 aspect ratio.

Unfortunately, although a few have been released in the past, I’m not aware of any current ultrawide flat-screen TVs.

There are a few smaller ultrawide 21:9 monitors which you could use – which is almost the same aspect ratio.

If you really want to go down this road for home theater, the best option is probably to buy a projector and a screen that supports this wider aspect ratio.

Some popular options are the STR-235125 Silver Ticket 2.35:1 Projector Screen or the wider Carl’s FlexiWhite 2.39:1 projector screen material.


Potential plasma TV problems such as screen burn-in could be created by using black bars for letterboxing. In the early stages of using a new plasma TV (the first 100 hours or so), it is often advised to change the color of the bars from black to a lighter color such as grey.

This can usually be done in the setup menu of the TV or the DVD/Blu-ray player. OLED TVs can also be prone to image retention, but you don’t need to worry about this with an LCD or LED TV.


It can be pretty confusing when we start thinking about the aspect ratios of movies.

There are a few different variations, so it can be challenging to understand why the picture sometimes looks different on our television screens.

However, when you understand what is happening with your TV screen, it isn’t so difficult to see what is happening.

The main benefit of understanding this issue is that you can look out for the aspect ratio of a Blu-ray or DVD disc before you buy it.

You might want to choose the best fit for your TV equipment.

You always have a choice of cropping out the black bars when you watch it on your TV. However, the image will always be less sharp, and you may lose some vital action.

Personally, I always watch something at the original aspect ratio, and I hate it when an image is stretched or cropped on the screen.

However, maybe that’s just me.

If you want to buy a new Blu-ray player, don’t forget to take a look at my guide to the top 5 best Blu-ray players in 2021.

Frequently Asked Questions

Here are some short and sweet answers to some common questions about movie aspect ratios.

What Is the Aspect Ratio for Movies?

Most movies are recorded and released with a 2.39:1 aspect ratio – you may also see 2.35:1 and 2.4:1, which are similar. Some movies are reduced to 1.78:1 or 1.85:1 in some mediums as they completely fill a widescreen TV screen.

What Is the Correct Aspect Ratio for Movies?

The majority of movies have a 2.35:1 or 2.39:1 aspect ratio. However, these movies can be reduced to 1.78:1 when shown on streaming services or put on disc. It is best to view a film at the aspect ratio it was released in; otherwise, the image will be distorted or cropped.

What Is the Aspect Ratio of 1080p?

The standard native resolution of 1080p is 1920 x 1080 pixels. 1920 ÷ 1080 = 1.78. Therefore the aspect ratio of 1080p is 1.78:1 or 16 x 9.

What Is the Aspect Ratio of 4K?

The standard native resolution of 4K is 3840 x 2160 pixels. 3840 ÷ 2160 = 1.78. Therefore the aspect ratio of 4K is 1.78:1 or 16 x 9.

What Is the Aspect Ratio of Widescreen?

The standard aspect ratio of widescreen is 16:9 – that is, 16 units wide and 9 units high. 1080p is a common widescreen format with this aspect ratio – 1920 x 1080.

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Blu-ray & DVD Aspect Ratios: 16:9, 1.85:1 & 2.4:1 Explained

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About Home Cinema Guide

Paul started the Home Cinema Guide to help less-experienced users get the most out of today's audio-visual technology. He has worked as a sound, lighting and audio-visual engineer for around 20 years. At home, he has spent more time than is probably healthy installing, configuring, testing, de-rigging, fixing, tweaking, re-installing again (and sometimes using) various pieces of hi-fi and home cinema equipment.

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